Barcelona returns to the race

ABC CULTURAL, 08-10-16
Anna Maria Guasch

"This ex profeso installation by Escribà (Paris, 1969) is a step forward in relation to his particular way of understanding painting (...). This would explain the pennant stretch-rope that follows the gallery walls, not only as a clear violation to the anatomy of languages, but also as a wanted necessity of giving painting a fleshy appearance, as well as an allusion to the transience of time, which is his intention."